Hyperleggera

About

This pub­li­ca­tion is intended as a vehi­cle of reverie for the waning days of the auto­mo­bile, to bridge the gap between Lam­borgh­ini Miuras and scramjet-​powered hyper­sonic jet­lin­ers that trans­form into ekra­noplans at will. It is not a car blog.

Hispano-Suiza Diomedea at takeoff. Concept art: Csaba “Max” Zsilvölgyi

Staff

Peter Orosz. Photo: Ervin Sperla

Peter Orosz

— editor

A med­ical diploma and a string of odd jobs—NIH vol­un­teer, stock­bro­ker, game designer, sales­man, motor­ing jour­nal­ist, video presenter—have not kept him from trying to under­stand the sin­gu­lar magic of Six­ties machin­ery. He is fas­ci­nated by giant squid.

Balázs Fenyő. Photo: Self-portrait

Balázs Fenyő

— photographer

He com­mands devel­op­ers by day and does the magic with pho­tographs by night. See his dig­i­tal work at Indafotó and his medium-​format work at 645, his per­sonal site. If he catches you double-​dip a tor­tilla chip, he will crush you.

Nickolas Kulczak

Nickolas Kulczak

— Amer­i­can correspondent

If those hal­lu­ci­na­tions of blue bun­nies have ever driven you to seek help, you may already know him. You’ll find him detan­gling the brains of Penn­syl­van­ian cra­zies in the ER or ensnar­ing him­self in late-​night auto­mo­tive subcultures.

Máté Petrány. Photo: Self-portrait

Máté Petrány

— London correspondent

When not brew­ing espres­sos, our UK man stalks the supercar-​saturated streets of Russ­ian oli­garchs with camera in hand. Loaded up with his prey, he returns home to per­fect cyanoacrylate-​based hair products.

Natalie Polgar. Photo: Balázs 
Fenyő

Natalie Polgar

— exec­u­tive producer

They say she makes killer tiramisù, wears Chi­nese silk scarves as blouses and has had her amyg­dala hor­mon­ally mod­i­fied. All we know is she solves prob­lems, drives wicked fast and dis­guises her­self as Mar­i­lyn Monroe on Fridays.